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The Creative Issue – News for Creatives | September 22, 2021

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A Night at 'Blackrock'

A Night at ‘Blackrock’

| On 01, Aug 2017

A lot has changed in Australia over the past two decades, but something that hasn’t lost its relevance or gravity in society since its birth in 1995 is Nick Enright’s renowned Australian play, Blackrock.

Blackrock is is a quintessential Aussie classic whose stirring monologues have undoubtedly found their way into every Australian drama student’s repertoire. For those unfamiliar with the powerful storyline, the plot revolves around a group of reckless teenagers who spend a night partying on a beach called Blackrock, cigarettes and alcohol in hand. When a girl winds up dead on the beach after suffering from a drunken gang-rape, the group is called in for questioning by the local authorities. Who did it, and why?

La Boite Theatre Company's Blackrock. Pictured Jessica Potts

The cast is comprised of a talented mix of QUT undergraduates and skilled industry experts, including Christen O’Leary, Amy Ingram and Joss McWilliam. The unique collaboration between La Boite and QUT Creative Industries provides an incredible opportunity for the next generation of Australian actors to immerse themselves in a professional environment and work closely with accomplished director, Todd MacDonald. The final year students are also afforded the privilege of delving into an emotionally raw script as they pour authenticity and pure honesty into their multi-layered characters.

The piece of contemporary theatre was inspired by the 1989 rape and murder of 14-year-old Leigh “Leigh Leigh” Rennea Mears at a teenage beach party. Throughout the text Enright examines several significant issues stemming from Australian culture, exploring sexual violence, classism, generational conflict and mate-ship. The most prevalent theme the play raises is the degrading masculine attitude directed at women in modern society, as MacDonald stated that “…turning a blind eye to violence, and excusing ingrained behaviours, can escalate to the heinous and unthinkable if left unchecked.”

La Boite Theatre Company's Blackrock. Pictured Jessica Potts

While advances in technology have improved since the 1990s, the drastic dangers of male privilege has not. Blackrock’s societal pertinence regrettably mirror 2016 statistics which assert that one in every five women in Australia have been sexually assaulted in their lifetime. The injustice of violence against women remains a heady issue that needs addressing, and the theatre is the perfect place to open that conversation, as audiences are forced to recognise that statistics represent real people of flesh and blood. By experiencing emblematic versions of rape and murder live on stage, viewers are made to experience visceral reactions concerning male privilege, as they cycle between feelings of frustration and anger to shock and sorrow.

In the end, Blackrock is more than a simple play; It is a production that opens a crucial conversation raising pivotal questions that aim to dispel the mindset that ‘these things just happen.’ They don’t. As MacDonald said: “If we arm our young people with this kind of discourse and encourage them to engage in this conversation, they will be stronger. If we challenge ourselves to question the normative behaviours that can end in victim blaming, then we are shifting our society into a stronger, more mature and empathetic space.”

La Boite Theatre Company's Blackrock. Pictured Annabel Harte

La Boite and QUT Creative Industry’s production of Blackrock tells a compelling story that gravitates toward healing the open wounds scarring humankind. Spread the word.

The Details 

What: Blackrock by La Boite & QUT Creative Industries
22 July – 12 August
Where: The Roundhouse Theatre, Musk Avenue Kelvin Grove
$30 – $60

Images supplied by Dylan Evans