Image Image Image Image Image Image Image Image Image Image

The Creative Issue – News for Creatives | August 24, 2019

Scroll to top

Top

Is The Australian Film Industry Doomed To Mediocrity?

Is The Australian Film Industry Doomed To Mediocrity?

| On 28, Sep 2014

The federal government has been praised in recent weeks for its decision to continue the $21.6 million incentive payout to Walt Disney Studios. Is this a much-needed step in the right direction?

kim-williams-rules-engagementKim Williams (inaugural chairman of the Film Finance Corp., CEO of Fox Studios Australia, CEO of Foxtel) has been a businessman and cultural playmaker in many of the most powerful studios for the past 30 years. His latest book, Rules of Engagement, tackles not only his life’s work, but his thoughts on the state of Australia’s film industry.

For Kim, our film culture has doomed us to remain unexceptional.

“Our work has seen Australians take to the world stage as never before. Yet we are on the precipice of an overwhelming destiny to be mediocre…There is a disconnectedness from ideas that produce compelling work.”

The biggest flaws, he says, come from our film training institutions and the government funding body.

“If I had my way I would close all the film schools tomorrow and fund the industry in such a way so as the students could become apprentices to production and post-production houses, not to replace our valued technicians and artisans but to give the student apprentice the opportunity to learn from their masters. Then their degrees may actually mean something. A Masters, Bachelor or PhD doesn’t teach you to have ‘Imagination’.”

He goes on to discuss the formation of Screen Australia as a government-funded, but ultimately independently run institution. The current exercised government control over Screen Australia’s funding decisions has dampened our creativity and intuition for funding successful projects.

“To make great work you have to have the armoury of memory of the area in which you are working and the major strands of what have gone on before”, writes Williams. “The independence [Screen Australia] afforded was whittled away pretty rapidly after I left the chairmanship in 1991.”

Kim asserts that, without the strongest knowledge of our film success in the past, there is little hope for our success in the future.

Screen Australia CEO Graeme Mason acknowledges the agency evaluates projects on the basis of significant Australian content, not the ownership of the production company.

Perhaps that is our greatest downfall. Our primary funding is dictated not by those with the knowledge and expertise, but those seeking a quota of Australian content.

“It’s not a closed subject [but] I don’t see it as a problem,” believes Mason.

While the recent government incentive to Walt Disney Studios is a positive move in creating jobs, and selling a welcoming environment for international studios as a one-off enticement, it is of little consequence.

Perhaps Kim Williams’ assertions are correct? He, like many others, foresees a downward slope for the local film industry. Government funding plans may provide a temporary solution, but without a more permanent incentive, there is little hope for sustained international interest.

You can find a copy of Kim Williams’ new book Rules of Engagement here.

Photo Credit: Eva Rinaldi Flickr.