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The Creative Issue – News for Creatives | January 25, 2020

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Review: Roald Dahl's Revolting Rhymes and Dirty Beasts

Review: Roald Dahl’s Revolting Rhymes and Dirty Beasts

| On 24, Jul 2015

For those who know – parents, grandparents, entertainers – children do not suffer boredom quietly. Something Roald Dahl’s Revolting Rhymes and Dirty Beasts, a Shake and Stir co-production with La Boite from Roald Dahl’s Revolting Rhymes, understands. Popping up out of the hollow round stage, the four actors – Leon Cain, Judy Hainsworth, Nelle Lee, Nick Skubij – repeatedly sass the audience with Roald Dahl’s rebellious poetry and language. Swallowing up actors and ejecting props,the stage is figuratively and physically centre stage, acting as though it is one of Dahl’s dirty beasts. As they continuously move around the stage, I can’t decide if the actors’ colourful costumes are bohemian or steam-punk inspired, but the play looks very hipster.

ROALD DAHL'S Revolting Rhymes & Dirty Beasts  Image by Dylan Evans Photography

What makes this show truly fantastic for the adult audience is that every nuance of Dahl’s rhymes have been extracted. With great skill and attention, the essence of Dahl’s naughty wit and fairy-tale character parody is maintained without the play becoming offensive. Feminist undercurrents in Dahl’s Cinderella, Red Riding Hood, Snow White, animal rights in the story of The Three Little Pigs and the domestic scenes Dahl uses to undermine adult authority are made obvious through the acting. Partly this is because to adapt verses such as “Off with her head, the prince replied” to a screen play, the actor must play both omniscent narrator and story character. Giving the actors full control over the characters they play eliminates ambuity around meaning. And this creates perfect clarity for the child auidence as well. The producers have also taken care in editing out and changing parts of Dahl’s original verse so that it is less crude and gruesome. Gory scenes are carefully choreographed, and with the aid of visually distracting strobe lights and pyrotechnics, the violence is reabsorbed into comedy.

ROALD DAHL'S Revolting Rhymes & Dirty Beasts  Image by Dylan Evans Photography

There are eight stories in total, an additional two added to the six published in Roald Dahl’s Revolting Rhymes (1982). During the two stories that were not in Dahl’s Rhymes the production lulled. One of the reasons is that unlike the Revolting Rhymes, for these two stories the narration is scripted separately from the character’s lines causing loss of momentum. The actor-narrator is distractingly visually separated from the stage also. The two stories are well placed amongst the other rhymes and I think without them to act as a pause in the 55 minute production, we all would have been too zapped of energy to make it home.

ROALD DAHL'S Revolting Rhymes & Dirty Beasts  Image by Dylan Evans Photography

The audience is packed with a healthy sum of children, mothers, and grandparents and it is hard to imagine this same demography equally happy at the movies. The fourth wall is broken, child and adult are blended into one childish audience. Everything seems to have shifted. Amongst the audience, I sense a feeling of togetherness at having made it out alive. This is the magic of the theatre.

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I pass a little boy talking to his mother as I’m leaving. “What do you think Roald Dahl would’ve thought of that mum, if he’d been alive?”

“I think he would have been very happy with that,” said his mum.

THE DETAILS

What Roald Dahl’s Revolting Rhymes and Dirty Beasts

When Touring nationally until October 2015.

More information Visit Shake and Stir website at www.shakeandstir.com.au for more information on venues and ticketing.

Images by Dylan Evans Photography