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‘It’s a good time though!’ exclaims blonde bombshell Libby Wood to a concurring crowd. As one half of Mother’s Ruin – one third if we count Jeremy on piano’s speakeasy charm – she could be describing her own show.
What do you get when you combine the punk aesthetics of 90’s era Paul McDermott, the absurd fever dream of the 90’s club scenes, and the sexual liberation and feminist movements of the mid 60’s to 70’s with a touch of Pricilla Queen of the Desert?
Straight from NYC, alt-cabaret chums Murray Hill and Bridget Everett get up close and personal with the Queensland Cabaret Festival audience in a show no one’s forgetting in a hurry.